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Stories of social change and social justice, especially in the lived experiences of BIPOC queer folx, are of prime interest to me. I am drawn to family histories, multi-generational stories, and explorations into inter-generational trauma. Thematic interests include cross-cultural stories of immigration, exile, and diaspora. My primary interest is creative nonfiction but I have a background in fiction and poetry and find inspiration in mixed genre work.
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I work with writers to find inspiration in other books as well as other art forms, such as film, visual arts, and performance. My suggestions for development are based on what's already on the page, rather than relying on so-called writing rules or formulas. It's an honor for me to work with writers to encourage their unique voice and to reflect their strengths. I love writing that is personally brave and socially conscious, that innovates and breaks boundaries in order to find the true shape of a story. Manuscript consultations are welcome, for which I'll be available after mid-October 2022.** **Note: I'm not taking coaching clients until November 2022. She runs a free, monthly, craft-focused newsletter for writers, with writing tips and prompts, called Write On (). She has taught creative writing in the nonfiction program at Brown University, as well as at Boston and Suffolk Universities. Her work has been supported by the Edward Albee Foundation, the Bread Loaf Writing Seminars, the Massachusetts Cultural Council, PEN/New England, The Ragdale Foundation, and others. Kim is the editor of The Shell Game: Writers Play with Borrowed Forms, an anthology of lyric essays that a review in The Millions praised as providing “a sense of hope about literature and its capacity for evolution and change.” Several of Kim's essays and stories have been listed as Notables in the Best American and Pushcart Prize anthologies two have been translated into Mandarin for Chinese literary magazines. It is part of University of Nebraska's American Lives Series, edited by Tobias Wolff, and is a Next Generation Indie Book Awards finalist. Her 2018 memoir, The Twenty-Seventh Letter of the Alphabet, uses the form of a glossary to tell the story of a mother's mental illness.
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Kim Adrian is the author of two books of lyric criticism, Dear Knausgaard (published as part of a series that aims to "reinvent literary criticism") and Sock ("reflects on the brilliance present in the minutiae of our lives" -Shelf Awareness). She holds an MFA in Poetry from the Iowa Writers' Workshop, where she received the Teaching-Writing Fellowship. Winner of the Fineline Competition from Mid-American Review and the Orlando Prize from the A Room of Her Own Foundation, Allie is a Contributing Editor at The Brooklyn Quarterly. Flash pieces appear in The Journal of Compressed Creative Arts, Lascaux Review, and Nano Fiction and literary hypertext projects appear at Electric Literature and The Rumpus. Her poems have appeared or are forthcoming in Best New Poets 2015, Boston Review, Los Angeles Review, Mid-American Review, Mississippi Review, The Missouri Review (Poem of the Week), National Poetry Review, New South, Shenandoah, Southwest Review, Tahoma Literary Review, Third Coast, and Tinderbox Poetry Journal. She has taught at the University of Iowa, Boston University, and Boston College, where she is currently a faculty member in the English department. Allison Adair has been with Grub Street since 2002, first as an instructor and then as a board member (2004-2011).